To fulfill its vision of leveling the playing field for artists, the one-stop marketing and distribution platform Beatchain has actively been securing partnerships and collaborations in the B2C, music training, and artist services world — those who are passionate about offering tools directly to artists.
Much like the digital-minded artists for which they have built their tools, the team at Beatchain is well aware that the future of the music industry lies in timely collaborations, grassroots networking, and multi-faceted value streams. Continue reading “Beatchain Unites a Constellation of Artist Services and Direct-to-Fan Providers”
Synaesthetic is emerging from stealth mode by unveiling a product teaser video of the LAVA platform (Light for Audio-Visual Augmentation) – a connected projector that streams original content from their mobile app. Continue reading “Synaesthetic Debuts the LAVA & LEAP”
LyricFind has just revealed their top 20 lyrics of the Summer, and there’s no question that this was the Summer of TikTok. These are the lyrics that were searched for most on Google and other platforms by music fans around the world. Continue reading “TikTok rules the top lyrics of Summer 2020”
Bitfury Surround, the music and entertainment blockchain ecosystem, has brought on experienced music and tech executive Fabian Alsultany as its first North American hire. Alsultany will work with Surround’s Berlin-based team to lay the groundwork for a new approach to music rights management and creativity in the US and Canada. Surround is the music and entertainment arm of Bitfury, the Amsterdam-based innovative global technology company. Continue reading “Surround Taps Fabian Alsultany as New Director of Business Development, North America”
European AI-powered music recommendation and audio search company AIMS API (AIMS) is announcing an alliance with Universal Publishing Production Music (UPPM), the world’s leading production music company and a division of the Universal Music Group. Continue reading “AIMS API Announces Collaboration with Universal Publishing Production Music”
SyncFloor, the commercial music marketplace, is announcing its partnership with Motor Music, bringing the label’s catalog to more potential sync buyers via its newly launched Motor Music SyncSite. SyncFloor’s SyncSites allow its rights holder partners to surface a sync-oriented website that presents thematic, customized blocks of tracks and allows potential users to search for and find tracks from within the partner’s catalog, using natural language and cultural references. Continue reading “SyncFloor Partners with Motor Music, Launches Motor Music SyncSite”
SyncFloor, the commercial music licensing platform, has announced the hire of Shellie Lewis as its first business development manager. Lewis will guide the startup as it builds relationships with advertising, TV, film, gaming, and music professionals to expand SyncFloor’s customer base. Continue reading “SyncFloor Hires Business Development Manager”
Everyone in music and tech is talking about Los Angeles. The recovery of the music industry has given L.A.-based label headquarters new life. The convergence of Hollywood, gaming, live performance, and tech makes the city ripe for cross-vertical innovation. After a successful, fire-leaping first year, the Music Tectonics Conference is coming back to Los Angeles, October 27-28, 2020.
The inaugural Conference tackled several seismic shifts taking place in music ranging from how music production is in the hands of the masses to the inevitable push to transparency. A theme that will continue to play out in music in 2020 is “Music Like Fire,” the idea that music and licensing is crossing into new fields from fitness to furniture. Continue reading “Music Tectonics Seals Los Angeles as Music Tech Hub with Second Conference”
A singer with a vision for a new single is looking for a producer. She asks around, finds a guy who’s a friend of a friend and sounds promising. They come to terms, she pays him–only to get ghosted. She’s got no track, and now she has to raise money from scratch, doubling the cost of the single.
This story and its like happen regularly to artists, managers, and other music professionals. “A shared scene or network implies trust, but that trust is too often broken, either explicitly or due to misunderstandings,” says DeCarlos Garrison, a music business veteran and serial tech entrepreneur. “I’ve experienced this problem first hand. We knew there was a way to solve it.”
The solution is Bandpay, a fully customizable payment platform that allows two parties to establish milestones in a project, assign payments to each milestone, and guarantee that funds are available to complete a transaction. Continue reading “Bandpay Set for March 2020 Debut; Milestone-based Payment Platform Guarantees Trust Between Collaborators”
Pex, the service that fingerprints, tracks, and attributes online audio and video content, has launched a powerful new product for content creators, rights-holders and platforms –completely free of charge. Continue reading “Pex’s Free Attribution Engine Empowers Rights Clarity for Online Video, Audio”
Synchtank has partnered with London Grid for Learning and a prominent production library to provide high-quality music to students and teachers in London schools. Synchtank’s software will make it easy to surface licensed tracks for school activities, from assemblies and performances, to in-classroom listening and student presentations and videos.
It will also guide students toward a better understanding of intellectual property rights. Continue reading “Synchtank Partners with Education Non-Profit Charity London Grid for Learning”
CD Baby has announced the hiring of a notable Indian music professional to its rapidly expanding network of international representatives. It is the first large international artist services and distribution company to do so. Continue reading “CD Baby Hires First International Representatives in India, Continues Fast-Paced Global Expansion”